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  Androgyny and the Mirror: Photographs of Florence Henri,
1927-38
by Melody Davis
 
  Betwixt and Between: Female Portraiture in the Work of Nadar
by Jennifer E. Farrell
   
  Mathieu Paints a Picture
by Fred Gross
   
  Ben Shahn's Two Portraits of Walker Evans: A Critique Painted
by Jin Han
   
  Taking Inventory: William Henry Fox Talbot
by Lisa Jaye Young
   
 
  Big Impact
by Katherine Bussard
   
  New York September 11 by Magnum Photographers
by Tina Gregory
   
  The Beauty of Evil? review of on european ground by Alan Cohen
by Allison Moore
   
  "La Divine Comtesse": Photographs of the Countess de Castiglione
by Caterina Pierre
   
  Letizia Battaglia: Passion Justice Freedom - Photographs of Sicily
by Marguerite Shore
   
  From Gothic to Modern: the Faces/Facades of Roland Fischer
by Sarah Stanley
   
  Luke Smalley, "Gymnasium"
by Rich Turnbull
   
 
   
 
  Exhibition Design as Installation Piece
by Vanessa Rocco
   
  Editor's Note
 
by Katherine Bussard  
 
 

Notes:

1. Roland Barthes, Camera Lucida, Translated by Richard Howe (New York: Hill and Wang, 1981) 6.

2. Tim Griffin, "Private Eye: Photographer Philip-Lorca diCorcia takes the people of Times Square as his subject," Time Out New York (No. 311: September 6-13, 2001) 113.

3. Luc Sante, "The Planets," Philip-Lorca diCorcia: heads, (Germany: Steidl, Gerhard Druckerei und Verlag, 2001) np.

4. Griffin, 113.

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