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PART 10 | Landscape

Urban Idylls
Articles

Preserving the Oak Tree: The Fontainebleau Forest and the school of Barbizon
by Veronique Chagnon-Burke

 
Tiffany's Dream Garden: New Perspectives in Glass
by Jonathan Clancy
 
Vincent van Gogh, The Weaver of Images: Starry Night, His Tapestry of Heavenly Consolation
by Jacquelyn Etling
 
Maya Deren and the Cinematic Landscape
by John Kaufman
 

A Psychogeography of Our Time: Roni Horn's Another Water
by Allison Moore

 

Dialogue with Sacred Landscape: Inca Framing Expressions
by Ruth Anne Phillips

 
Reviews

The Pre-Raphaelite Landscape by Allen Staley
by Mary Donahue

 

Gendering Landscape Art, edited by Steven Adams and Anna Gruetzner Robins
by Tina Gregory
 

American Sublime: Landscape Painting in the United States, 1820-1880
by Brian Edward Hack

 
Carr, O'Keeffe and Kahlo: Rooms of Their Own
by Megan Holloway
 
Rethinking Earthworks
by Julie Reiss
 
Practice
 
Urban Idylls
by Joshua Shamsi
 
Editor's Note
 
by Joshua Shamsi
 
 

ARTIST'S STATEMENT

My photographs in Urban Idylls are explorations of the idiosyncratic spaces in Manhattan intended for public leisure and recreation. In these spaces I see the markings of the shifting balance between our need for relaxation and Manhattan’s urban infrastructure. Always, I find myself wondering what impact our architecture and civic planning have on us.

If parks, playgrounds and plazas are the places where we are intended to spend our free time then the sanctuaries we create for ourselves express—in three dimensions—the boundaries that are shaped between free time and regimen. However, these boundaries are rarely stable or well defined. The artificial wildlife, looming/anomalous architecture, and borders of all kinds that describe our refuge in the city all simultaneously demonstrate our ideals and our best, but unavoidably failed attempts to achieve them. In the city our desire for nature, space and autonomy are met with compromise at every turn. This is not to say we fail to provide ourselves with spaces where we can relax. However, the sanctuaries we carve out for ourselves range from soothing to creepy and always serve as a gauge of our tendencies toward organization, development and control.

 

 

 

 

 

 

 

 

Artist's Bio>>
 

 
 

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