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ARTIST'S
STATEMENT
My photographs in Urban Idylls are explorations
of the idiosyncratic spaces in Manhattan intended for public
leisure and recreation. In these spaces I see the markings of
the shifting balance between our need for relaxation and Manhattan’s
urban infrastructure. Always, I find myself wondering what impact
our architecture and civic planning have on us.
If parks, playgrounds and plazas are the places
where we are intended to spend our free time then the sanctuaries
we create for ourselves express—in three dimensions—the
boundaries that are shaped between free time and regimen. However,
these boundaries are rarely stable or well defined. The artificial
wildlife, looming/anomalous architecture, and borders of all
kinds that describe our refuge in the city all simultaneously
demonstrate our ideals and our best, but unavoidably failed
attempts to achieve them. In the city our desire for nature,
space and autonomy are met with compromise at every turn. This
is not to say we fail to provide ourselves with spaces where
we can relax. However, the sanctuaries we carve out for ourselves
range from soothing to creepy and always serve as a gauge of
our tendencies toward organization, development and control.
Artist's
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