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PART9: American Modernism

Inheriting Cubism: The Impact of Cubism on American Art, 1909-1938

  Articles
  Emil Bisttram: Theosophical Drawings
by Ruth Pasquine
   
  Intellectualizing Ecstacy: The Organic and Spiritual Abstractions of Agnes Pelton (1881 - 1961)
by Nancy Strow Sheley
   
  Stuart Davis' Taste for Modern American Culture
by Herbert R. Hartel, Jr.
   
  Jean Xceron: Neglected Master and Revisionist Politics
by Thalis Vrachopoulos
   
   
 
   
  "Delusions of Convenience": Frances K. Pohl, Framing America: A Social History of American Art and David Bjelejac, American Art: A Cultural History
by Brian Edward Hack
   
 
  Wanda Corn, The Great American Thing, Modern Art and National Identity, 1915-1935
by Megan Holloway
   
  Inheriting Cubism: The Impact of Cubism on American Art, 1909-1938
by Nicholas Sawicki
   
  Celeste Connor, Democratic Visions: Art and Theory of the Stieglitz Circle, 1924-1934
by Jennifer Marshall
   
  Pat Hills, ed. Modern Art in the U.S.A.: Issues and Controversies of the 20th Century
by Pete Mauro
   
   
  Editor's Note
 
by Nicholas Sawicki  
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Nicholas Sawicki is a doctoral candidate in the Department of the History of Art at the University of Pennsylvania. His dissertation, “International Modernism: The Czech Avant-Garde and Modern Art, 1900-1914,” concerns the critical reception of cubism in Prague.

e-mail: nsawicki@sas.upenn.edu

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