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PART9: American Modernism

Pat Hills, ed. Modern Art in the U.S.A.: Issues and Controversies of the 20th Century

  Articles
  Emil Bisttram: Theosophical Drawings
by Ruth Pasquine
   
  Intellectualizing Ecstacy: The Organic and Spiritual Abstractions of Agnes Pelton (1881 - 1961)
by Nancy Strow Sheley
   
  Stuart Davis' Taste for Modern American Culture
by Herbert R. Hartel, Jr.
   
  Jean Xceron: Neglected Master and Revisionist Politics
by Thalis Vrachopoulos
   
   
 
   
  "Delusions of Convenience": Frances K. Pohl, Framing America: A Social History of American Art and David Bjelejac, American Art: A Cultural History
by Brian Edward Hack
   
 
  Wanda Corn, The Great American Thing, Modern Art and National Identity, 1915-1935
by Megan Holloway
   
  Inheriting Cubism: The Impact of Cubism on American Art, 1909-1938
by Nicholas Sawicki
   
  Celeste Connor, Democratic Visions: Art and Theory of the Stieglitz Circle, 1924-1934
by Jennifer Marshall
   
  Pat Hills, ed. Modern Art in the U.S.A.: Issues and Controversies of the 20th Century
by Pete Mauro
   
   
  Editor's Note
 
by Pete Mauro  
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Pete Mauro is currently working on his dissertation in the Ph.D. Program in Art History at the CUNY Graduate School. It is a study of the interrelationships between visual representations and science in American cultural history. He is also interested in contemporary art and the history of photography. He is currently teaching at the School of Visual Arts and Queensborough Community College. In February, he gave a paper on the contemporary artist Fred Wilson at the Annual Conference of the College Art Association In New York.

e-mail: hmauro@gc.cuny.edu

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