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Celeste
Connor, Democratic Visions: Art and Theory of the Stieglitz Circle,
1924-1934
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1 Sarah Greenough provides two useful and richly documented essays
to frame the two successive phases of Stieglitz’s influence
in Greenough, ed., Modern Art and America: Alfred Stieglitz and
His New York Galleries, (Boston: Bullfinch Press, 2000). Wanda Corn
refers to the phase under consideration in Connor’s text as
Stieglitz’s “second circle” in The Great American
Thing: Modern Art and National Identity, 1915-1935 (Berkeley: University
of California Press, 1999). 2 Celeste Connor, Democratic Visions: Art and Theory of the Stieglitz
Circle, 1924-1934 (Berkeley: University of California Press, 2000):
24. 3 Connor 42. 4 Connor: 182. 5 Connor: 194. 6 Connor: 67-8. 7 Connor: 5. 8 Connor: 186-87.
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