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PART9: American Modernism

Celeste Connor, Democratic Visions: Art and Theory of the Stieglitz Circle,
1924-1934

  Articles
  Emil Bisttram: Theosophical Drawings
by Ruth Pasquine
   
  Intellectualizing Ecstacy: The Organic and Spiritual Abstractions of Agnes Pelton (1881 - 1961)
by Nancy Strow Sheley
   
  Stuart Davis' Taste for Modern American Culture
by Herbert R. Hartel, Jr.
   
  Jean Xceron: Neglected Master and Revisionist Politics
by Thalis Vrachopoulos
   
   
 
   
  "Delusions of Convenience": Frances K. Pohl, Framing America: A Social History of American Art and David Bjelejac, American Art: A Cultural History
by Brian Edward Hack
   
 
  Wanda Corn, The Great American Thing, Modern Art and National Identity, 1915-1935
by Megan Holloway
   
  Inheriting Cubism: The Impact of Cubism on American Art, 1909-1938
by Nicholas Sawicki
   
  Celeste Connor, Democratic Visions: Art and Theory of the Stieglitz Circle, 1924-1934
by Jennifer Marshall
   
  Pat Hills, ed. Modern Art in the U.S.A.: Issues and Controversies of the 20th Century
by Pete Mauro
   
   
  Editor's Note
 
by Jennifer Marshall  
Ê
 

Jennifer Marshall is a Ph.D. candidate at the University of California, Los Angeles in the Department of Art History. Over the past five years, her work has focused on early twentieth-century art and society in the United States. Ms. Marshall’s dissertation, currently in progress, considers the problem of materiality in the American machine age by examining a series of interwar art exhibits that showcased three-dimensional objects: from ball bearings to Native American pottery, from teaspoons to sculpture in the round.

e-mail: jjmarsh@ucla.edu

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