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PART9: American Modernism

Jean Xceron: Neglected Master and Revisionist Politics

  Articles
  Emil Bisttram: Theosophical Drawings
by Ruth Pasquine
   
 

Intellectualizing Ecstacy: The Organic and Spiritual Abstractions of Agnes Pelton (1881 - 1961)
by Nancy Strow Sheley

   
  Stuart Davis' Taste for Modern American Culture
by Herbert R. Hartel, Jr.
   
  Jean Xceron: Neglected Master and Revisionist Politics
by Thalia Vrachopoulos
   
   
 
   
  "Delusions of Convenience": Frances K. Pohl, Framing America: A Social History of American Art and David Bjelejac, American Art: A Cultural History
by Brian Edward Hack
   
 
  Wanda Corn, The Great American Thing, Modern Art and National Identity, 1915-1935
by Megan Holloway
   
  The Impact of Cubism on American Art, 1909-1938
by Nicholas Sawicki
   
  Celeste Connor, Democratic Visions: Art and Theory of the Stieglitz Circle, 1924-1934
by Jennifer Marshall
   
  Pat Hills, ed. Modern Art in the U.S.A.: Issues and Controversies of the 20th Century
by Pete Mauro
   
   
  Editor's Note
 
by Thalia Vrachopoulos  
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Thalia Vrachopoulos is Assistant Professor of Art History at John Jay College of Criminal Justice, CUNY. She received her doctorate in 20th Century Art from the Ph.D. Program in Art History at the Graduate School of the City University of New York. Her dissertation was on Jean Xceron, the American Modernist abstract artist. She has published articles in numerous art journals and has curated and written catalogues to over twenty exhibitions. She is presently co-authoring a book on Hilla Rebay, the founder of the Guggenheim Museum of Art.

e-mail: thaliav@juno.com

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