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PART9: American Modernism

Emil Bisttram: Theosophical Drawings

  Articles
  Emil Bisttram: Theosophical Drawings
by Ruth Pasquine
   
  Intellectualizing Ecstacy: The Organic and Spiritual Abstractions of Agnes Pelton (1881 - 1961) by Nancy Strow Sheley
   
  Stuart Davis' Taste for Modern American Culture
by Herbert R. Hartel, Jr.
   
  Jean Xceron: Neglected Master and Revisionist Politics
by Thalia Vrachopoulos
   
   
 
   
  "Delusions of Convenience": Frances K. Pohl, Framing America: A Social History of American Art and David Bjelejac, American Art: A Cultural History
by Brian Edward Hack
   
 
  Wanda Corn, The Great American Thing, Modern Art and National Identity, 1915-1935
by Megan Holloway
   
  Inheriting Cubism: John Cauman The Impact of Cubism on American Art, 1909-1938
by Nicholas Sawicki
   
  Celeste Connor, Democratic Visions: Art and Theory of the Stieglitz Circle, 1924-1934
by Jennifer Marshall
   
  Pat Hills, ed. Modern Art in the U.S.A.: Issues and Controversies of the 20th Century
by Pete Mauro
   
   
  Editor's Note
 
by Ruth Pasquine  
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Ruth Pasquine, Ph.D. received her B.A. degree with honors in English and Italian Literature from Franconia College (1970); her M.A. degree in art history from Williams College-The Clark Art Institute (1981); and her Ph.D. in art history from the Graduate Center, City University of New York (2000). She served as Curator of Education at the Norton Art Gallery, West Palm Beach, FL (1989-91), and as Curator of Art at the Arkansas Arts Center, Little Rock (1991-97). She is currently Assistant Professor and Gallery Director at the University of Arkansas at Pine Bluff.

e-mail: Rpasquine@aol.com

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