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PART9: American Modernism

Stuart Davis' Taste for Modern American Culture

  Articles
  Emil Bisttram: Theosophical Drawings
by Ruth Pasquine
   
 

Intellectualizing Ecstacy: The Organic and Spiritual Abstractions of Agnes Pelton (1881 - 1961)
by Nancy Strow Sheley

   
  Stuart Davis' Taste for Modern American Culture
by Herbert R. Hartel, Jr.
   
  Jean Xceron: Neglected Master and Revisionist Politics
by Thalis Vrachopoulos
   
   
 
   
  "Delusions of Convenience": Frances K. Pohl, Framing America: A Social History of American Art and David Bjelejac, American Art: A Cultural History
by Brian Edward Hack
   
 
  Wanda Corn, The Great American Thing, Modern Art and National Identity, 1915-1935
by Megan Holloway
   
  The Impact of Cubism on American Art, 1909-1938
by Nicholas Sawicki
   
  Celeste Connor, Democratic Visions: Art and Theory of the Stieglitz Circle, 1924-1934
by Jennifer Marshall
   
  Pat Hills, ed. Modern Art in the U.S.A.: Issues and Controversies of the 20th Century
by Pete Mauro
   
   
  Editor's Note
 
by Herbert R. Hartel, Jr.  
 

Herbert R. Hartel, Jr., Ph.D. received his doctorate in modern and American art history from the Ph.D. Program in Art History at the Graduate School of the City University of New York. He has taught art history at John Jay John Jay College of Criminal Justice, Bernard M. Baruch College, Pratt Institute, Fordham University, and elsewhere. He has published articles and reviews in Source: Notes in the History of Art, Contemporary Artists (5th ed.), The Art Book, and Part 6: Sculpture. He has given papers at the Southwest / Texas Popular Culture and American Culture Associations and the Southwest Art History Council and the Student Symposium of the CUNY Ph.D. Program in Art History. He is a freelance textbook consultant for Prentice-Hall and McGraw-Hill.

e-mail: hartel70@aol.com

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