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PART 10 | Landscape

Awe without Angst: Review of American Sublime: Landscape Painting in the United States, 1820-1880, edited by Andrew Wilton and Tim Barringer
Articles

Preserving the Oak Tree: The Fontainebleau Forest and the school of Barbizon
by Veronique Chagnon-Burke

 
Tiffany's Dream Garden: New Perspectives in Glass
by Jonathan Clancy
 
Vincent van Gogh, The Weaver of Images: Starry Night, His Tapestry of Heavenly Consolation
by Jacquelyn Etling
 
Maya Deren and the Cinematic Landscape
by John Kaufman
 

A Psychogeography of Our Time: Roni Horn's Another Water
by Allison Moore

 

Dialogue with Sacred Landscape: Inca Framing Expressions
by Ruth Anne Phillips

 
Reviews

The Pre-Raphaelite Landscape by Allen Staley
by Mary Donahue

 

Gendering Landscape Art, edited by Steven Adams and Anna Gruetzner Robins
by Tina Gregory
 

American Sublime: Landscape Painting in the United States, 1820-1880
by Brian Edward Hack

 
Carr, O'Keeffe and Kahlo: Places of Their Own
by Megan Holloway
 
Rethinking Earthworks
by Julie Reiss
 
Practice
 
Urban Idylls
by Joshua Shamsi
 
Editor's Note
 
by Brian Edward Hack
 
 

Brian Edward Hack is the Director of Visual Resources for the Art Department of Kingsborough Community College, where he has taught American Art and other courses since 1999. A Ph.D. candidate at The Graduate Center, he is currently at work on his dissertation, "Lorado Taft, George Grey Barnard and the Promise of Monumental Symbolist Sculpture in Early Twentieth-Century America." As an affiliated instructor with Hofstra
University, he has lectured on public sculpture and on the visual and philosophical impact of Darwinism, Monism, and eugenics on American painting and sculpture of the Gilded Age and Progressive Era.

 

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