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ENDNOTES
1. Ken Knabb, ed. Situationist International:
Anthology, Bureau of Public Secrets, Berkeley, 1981.
2. Also translated as "The Thing"
in Heidegger's Poetry, Language, Thought, Albert Hofstadter,
trans., Harper & Row, Publishers, Inc., New York, 1971,
pp. 165-182.
3. Meg O'Rourke. "The Weight of the Word:
The Sculpture of Roni Horn," Arts Magazine, v.
66, (November 1991), pp. 58-60.
4. Roland Barthes, Camera Lucida: Reflections
on Photography. Richard Howard, trans., Hill and Wang,
Farrar, Straus & Giroux, Inc., New York, 1981.
5. Gregory Volk. "Roni Horn at Matthew
Marks," Art in America, v.84 no. 7 (July 1996),
p.83.
6. O'Rourke, 58.
7. Richard attributes this idea to Roland Barthes'
"floating chain of signifieds." Frances Richard, "Roni
Horn: Dia Center for the Arts," Artforum International,
v. 40 (January 2002), p.139.
8. Lyle Rexer, "A Builder of Paradoxes
That Turn Viewers Inward," New York Times November
4, 2001: pp. AR21-22.
9. Susan Sontag, On Photography, Dell
Publishing, Inc., New York, 1973, p.85.
10. Roni Horn, interviewed in Art in America,
v.73 no.11, (November 1985), p.120.
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