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PART9: American Modernism

The Great American Thing, Modern Art and National Identity, 1915-1935

  Articles
  Emil Bisttram: Theosophical Drawings
by Ruth Pasquine
   
  Intellectualizing Ecstacy: The Organic and Spiritual Abstractions of Agnes Pelton (1881 - 1961)
by Nancy Strow Sheley
   
  Stuart Davis' Taste for Modern American Culture
by Herbert R. Hartel, Jr.
   
  Jean Xceron: Neglected Master and Revisionist Politics
by Thalis Vrachopoulos
   
   
 
   
  "Delusions of Convenience": Frances K. Pohl, Framing America: A Social History of American Art and David Bjelejac, American Art: A Cultural History
by Brian Edward Hack
   
 
  Wanda Corn, The Great American Thing, Modern Art and National Identity, 1915-1935
by Megan Holloway
   
  Inheriting Cubism: The Impact of Cubism on American Art, 1909-1938
by Nicholas Sawicki
   
  Celeste Connor, Democratic Visions: Art and Theory of the Stieglitz Circle, 1924-1934
by Jennifer Marshall
   
  Pat Hills, ed. Modern Art in the U.S.A.: Issues and Controversies of the 20th Century
by Pete Mauro
   
   
  Editor's Note
 
by Megan Holloway  
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Megan Holloway is currently in the Ph.D. program in Art History at the CUNY Graduate Center. Her interests include American painting and sculpture from the colonial period to the early-twentieth century. She earned her B.A. in Art History from Cornell University and her M.A. from the Institute of Fine Arts at New York University. She was, until recently, a specialist in the American Paintings and Sculpture Department at Christie’s auction house in New York. Currently, she is a Research Assistant in the Department of American Paintings and Sculpture at The Metropolitan Museum of Art.

e-mail: megan.holloway@verizon.net

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