PART9: American Identities

Barbara Groseclose, Nineteenth Century American Art



	Refracting history: Ives and Emerson and the Nineteenth-Century European Tradition in America by Christopher Bruhn

	Americanizing Californians: Americanization in California from the Progressive Era through the Red Scare by Anne Woo-Sam

	A Crisis of Identity: The Panama-Pacific International Exposition, 1915 by Susan Luftschein

	Modern American Fashion Design American Indian Style by Mary Donahue

	Expanding The American Experience: The Liberator 1918-1924 by Antoinette Galotola

	John Dewey’s Philosophy, American-Style 1910-1929: On How Philosophy Was Made American by Jonathan Lang

	Fifteen Years After: Matthew Baigell’s “American Art and National Identity: the 1920s by Jane Necol



	Barbara Groseclose, Nineteenth Century American Art by Veronique Chagnon-Burke

	Going Native: Review of Bruce Wilshire, The Primal Roots of American Philosophy: Pragmatism, Phenomenology, and Native American Thought by Jonathan Lang

	Milton Brown, American Painting from the Armory Show to the Depression by John Angeline

	Molly H. Mullin. Culture in the marketplace: gender, art, and value in the American Southwest by Nancy Grove

by Veronique Chagnon-Burke

Véronique Chagnon-Burke is Acting Director of Studies of Christie’s Graduate Programs in Modern Art, Connoisseurship and the History of the Art Market. She is an art historian who specializes in 19th century French and American Art, with a special focus on landscape painting and art criticism. She was educated in France at the Sorbonne and at the Ecole du Louvre. She received an M.A. from New York University Institute of Fine Arts and Ph.D. from CUNY Graduate Center. Her publications include articles on the art of the July Monarchy. She participated in “French Landscape: The Modern Vision, 1880-1925" for MOMA 2000; Modern Starts. Recently she was the co-editor of a special issue on “Beauty in the Digital Age,” for Visual Culture, A.D., the on-line journal of New School University, Parsons School of Design. Her current projects include essays on women art critics in the 19th century for an anthology titled Vanishing Acts: Women and the Art World in 19th-Century France, and an article for the Gazette des beaux-arts on Théodore Rousseau and ecology.

e-mail: Vchagnon-Burke@Christies.edu

Back to Article>>