PART9: American Identities

Refracting history: Ives and Emerson and the Nineteenth-Century European Tradition in America



	Refracting history: Ives and Emerson and the Nineteenth-Century European Tradition in America by Christopher Bruhn

	Americanizing Californians: Americanization in California from the Progressive Era through the Red Scare by Anne Woo-Sam

	A Crisis of Identity: The Panama-Pacific International Exposition, 1915 by Susan Luftschein

	Modern American Fashion Design American Indian Style by Mary Donahue

	Expanding The American Experience: The Liberator 1918-1924 by Antoinette Galotola

	John Dewey’s Philosophy, American-Style 1910-1929: On How Philosophy Was Made American by Jonathan Lang

	Fifteen Years After: Matthew Baigell’s “American Art and National Identity: the 1920s by Jane Necol



	Barbara Groseclose, Nineteenth Century American Art by Veronique Chagnon-Burke

	Going Native: Review of Bruce Wilshire, The Primal Roots of American Philosophy: Pragmatism, Phenomenology, and Native American Thought by Jonathan Lang

	Milton Brown, American Painting from the Armory Show to the Depression by John Angeline

	Molly H. Mullin. Culture in the marketplace: gender, art, and value in the American Southwest by Nancy Grove

by Christopher Bruhn

Christopher Bruhn has just completed his coursework in the Ph.D. Program for musicology at CUNY Graduate Center and is looking forward to writing a dissertation on some aspect of Charles Ives and his interaction with American thought of the late nineteenth and early twentieth centuries. He has a BA in English from the University of Wisconsin in Madison and an MA in piano performance from Hunter College where he studied and performed Ives’ Concord Sonata at his graduation recital.

Back to Article>>