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Review of The Creation Of Modern Athens: Planning The Myth, by Eleni Bastéa
 
  Happiness Minutes: Technology and Psychology in the Home
by Mary Ann Buschka
 
  Women's Casual TV Outfits
by Derham Groves
   
  Buckminster Fuller - Dialogue With Modernism
by Loretta Lorance
   
  The Central Draft Burner: Ami Argand's Contribution to the American Home
by Mimi Sherman
   
 
  No Respect: Review of Women Designers in the USA, 1900-2000
by Janna Eggebeen
   
  "Sad Rose of All My Days": Review of "Ruskin's Italy, Ruskin's England" at The Morgan Library
by Ellen Hymowitz
   
  Exhibiting Design at the Cooper-Hewitt
by Emily Pugh
   
  Review of The Creation of Modern Athens: Planning the Myth
by Ioanna Theocharopoulou
   
 
  The House at the End of Time: Douglas Darden's Oxygen House
by Peter Schneider
   
  Editor's Note
 
by Ioanna Theocharopoulou  
 
 

Notes:

1. While this term was first used by Herodotus to characterize King Amasin of Egypt who was friendly to the Greeks, it took on a more specific meaning during the 18th century. The "love towards Greeks or Greece" by the Europeans had to do with supporting the cause of Greek independence based on various motives but mainly upon an admiration of ancient Greek culture which inspired a positive and popular approval and support to the Greek cause in Europe. Among famous European Philhellenes were Lord Byron, Goethe, Shelley, Pushkin and Delacroix.

2. Wilhelm von Humboldt in Geschichte des Verfalls und Unterganges der griechischen Freistaaten, 1807, as cited in Stathis Gourgouris, Dream Nation: Enlightenment, Colonization and the Institution of Modern Greece, Stanford: Stanford University Press, 1996, p. 123.

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