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"Sad Rose of All My Days": Review of "Ruskin's Italy, Ruskin's England" at The Morgan Library
 
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  "Sad Rose of All My Days": Review of "Ruskin's Italy, Ruskin's England" at The Morgan Library
by Ellen Hymowitz
   
  Exhibiting Design at the Cooper-Hewitt
by Emily Pugh
   
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  The House at the End of Time: Douglas Darden's Oxygen House
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  Editor's Note
 
by Ellen Hymowitz
 
 

Notes:

1. Tim Hilton. John Ruskin: The Later Years. New Haven & London: Yale University Press, 2000, p. 26.

2. Wall text, Morgan Library.

3. At this point another Morgan exhibition comes to mind, its 1998 tribute to Charles Dodgson, aka Lewis Carroll. This exhibition also commemorated the centenary of a death, the same vitrines holding similar evidence of genius and rarified pedophilia. In fact, Dodgson and Ruskin knew each other and Dodgson's 1874 photograph of Ruskin is well-known.

4. http://landow.stg.brown.edu/victorian/ruskin/finearts/criticism9.html and George P. Landow. The Aesthetic and Critical Theories of John Ruskin. Princeton: Princeton University Press, 1971.

5. Tim Hilton. John Ruskin: The Later Years. New Haven & London: Yale University Press, 2000, pp. 485 and 537.

6. Valentine Cunningham, "A Victorian Renaissance Man." Review of Tim Hilton. John Ruskin: The later years. New Haven & London: Yale University Press, 2000. The New York Times Book Review, May 14, 2000 (archived; n.p.).

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