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Student Symposium 2000
Institutionalizing Cultures

Bios of Symposium Organizers

Emily Rekow
Emily Rekow is a third year Ph.D. student at the Graduate Center, CUNY. Her areas of concentration are African and Native American Art, with a minor in 19th-century Photography. After graduating from Oberlin College, she worked three years as the Tour Programs Coordinator at the Walker Art Center in Minneapolis, Minnesota. She is currently a Student Representative of the 2000-2001 Art History Executive Committee, and taking classes full-time. She is also working with Professor George Corbin on an upcoming exhibition at Lehman College entitled, "Contemporary Masks From the Kuba Region of the Congo."

Angela Herren
Angela Herren has recently completed all coursework and exams in the doctoral program at CUNY, graduate center. She is majoring in precolumbian art history and her dissertation will address Aztec migration history in two 16th century Mexican manuscripts, the Codex Boturini and the Codex Azcatitlan. She has presented research at various conferences and her article "Representing and Reinventing Doña Marina: Images from the Florentine Codex and the Lienzo de Tlaxcala" will appear in the fall issue of Latin American Indian Literatures Journal. A Graduate Teaching Fellow, Angela teaches modern art history at Lehman College.

Jennifer Wagalie
Jennifer Wagelie is a 4th year student in the Ph.D. Program in Art History, majoring in Oceanic and minoring in Pre-Columbian art. Her area of specialization is Maori art of New Zealand. Ms. Wagelie currently works as a lecturer at the Metropolitan Museum of Art, where she gives public gallery tours of the Museum's collections of Oceanic, African, and Pre-Columbian art. She also has an internship at the Brooklyn Museum of Art, where she is assisting in re-cataloging the Museum's collection of Oceanic art. Aside from organizing the Student Symposium last year, Ms. Wagelie was also on the Organizing Committee of the Alumni Symposium, which took place last February.

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Abstracts of symposium papers>>

 

Meta Vaux Warrick Fuller and Pan-Africanist Feminism in Ethiopia Awakening
by Stacey Williams
 
Working the System: Hélène Bertaux and Second Empire Patronage
by Anastasia Easterday
 
Peasant Wisdom: An Analysis of Brancusi's Rumanian Heritage
by Zachary Ross
 
Ghiberti and Manzù: Alternative Means of "Piercing" the Flat
by Raphy Sarkissian
 
Reduced to Rubble: James Novelli's Victory
by Josephine Murphy
 
Spartan Desires: Eugenics and the Sculptural Program of the 1915 Panama-Pacific International Exposition
by Brian Edward Hack
 
Robert Smithson: Language to be Looked At and/or Things to be Read, Drawings from 1962-63
by Robin Clark
 
The New Greek Galleries at the Metropolitan Museum of Art
by Dana Pilson
 
Book Review: American Sculpture in the Metropolitan Museum of Art: Volume 1. A Catalogue of Works By Artists Born before 1865
by Caterina Pierre
 
Convergences of Architecture and Sculpture: The Consequences of Borrowing
by Betti-Sue Hertz
 
John Crawford's Queens College Marker: The Abstraction of Ideas and the Idea of the Abstract Monument
by Herbert R.Hartel, Jr.
 
Notes on a Neglected American Renaissance Monument - The Hall of Fame for Great Americans
by Elena Kemelman
 
Editor's Note
 
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