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Student
Symposium 2000
Institutionalizing Cultures
On April 14, 2000, the 7th Annual CUNY Graduate
Art History Student Symposium took place. Titled Institutionalizing
Cultures, the symposium was designed to address problems and
issues related to the exhibition and display of Pre-Columbian, African,
Oceanic, and Native American art and was the first hosted by our
department to concentrate on Non-Western themes. Papers were presented
by graduate students from across the country. Participants and their
papers included: Thomas Larose, Virginia Commonwealth University,
"Hulleah Tsinhnahjinnie: Complicating Imbalances," Chloé
Georas, SUNY-Binghamton, "Museum in a Tank: Re-Imperializations
at the Musée des Arts d'Afrique et d'Oceanie," Wendy
Koenig, Ohio State University, "Africa Expands: African Diaspora
Artists in the American Museum," Ruth Anne Phillips, CUNY-Graduate
Center, "Framing the Inca Aesthetic," and Kinsey Katchka,
Indiana University, "Exhibiting 'The Popular': Urban Cultures
and Transnationalism in Postcolonial West Africa."
An intense debate between questions of theory
and the pragmatics of practice took place in the discussion that
followed the presentation of the papers. The symposium's respondents
were Professor George A. Corbin of Lehman College and the Graduate
Center and Dr. Susan Vogel, currently an independent filmmaker and
formerly the director of the Museum of African Art, New York. The
symposium was organized by students Angela Herren, Emily Rekow,
and Jennifer Wagelie and was supported by the Art History Department
and the Cultural Affairs Committee of the Doctoral Students Council.
--Jennifer Wagalie
Abstracts of symposium
papers>>
Bios of symposium
organizers>>
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