home

Art History Home
About PART
Links & Events
Help
Robert Smithson: Language to be Looked At and/or Things to be Read, Drawings from 1962-63

Meta Vaux Warrick Fuller and Pan-Africanist Feminism in Ethiopia Awakening
by Stacey Williams
 
Working the System: Hélène Bertaux and Second Empire Patronage
by Anastasia Easterday
 
Peasant Wisdom: An Analysis of Brancusi's Rumanian Heritage
by Zachary Ross
 
Ghiberti and Manzù: Alternative Means of "Piercing" the Flat
by Raphy Sarkissian
 
Reduced to Rubble: James Novelli's Victory
by Josephine Murphy
 
Spartan Desires: Eugenics and the Sculptural Program of the 1915 Panama-Pacific International Exposition
by Brian Edward Hack
 
Robert Smithson: Language to be Looked At and/or Things to be Read, Drawings from 1962-63
by Robin Clark
 
The New Greek Galleries at the Metropolitan Museum of Art
by Dana Pilson
 
Book Review: American Sculpture in the Metropolitan Museum of Art: Volume 1. A Catalogue of Works By Artists Born before 1865
by Caterina Pierre
 
Convergences of Architecture and Sculpture: The Consequences of Borrowing
by Betti-Sue Hertz
 
John Crawford's Queens College Marker: The Abstraction of Ideas and the Idea of the Abstract Monument
by Herbert R.Hartel, Jr.
 
Notes on a Neglected American Renaissance Monument - The Hall of Fame for Great Americans
by Elena Kemelman
 
Editor's Note
 
by Robin Clark  
 
 

Robin Clark: Bio

Robin Clark is a Manhattan-based curator for San Francisco Museum of Modern Art, where her projects include retrospective exhibitions on Eva Hesse and Diane Arbus. Her dissertation, "From 'popular art' to 'The Void': Artist-Proposed Museums, New York, 1965-1975" focusses on the work of Robert Smithson, Gordon Matta-Clark and Claes Oldenburg.

She can be reached via email at rclark33@mindspring.com.

Back to article>>

 

 
 
 
  © 2000 Part and Robin Clark. All Rights Reserved.