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Ghiberti and Manzù: Alternative Means of "Piercing" the Flat

Meta Vaux Warrick Fuller and Pan-Africanist Feminism in Ethiopia Awakening
by Stacey Williams
 
Working the System: Hélène Bertaux and Second Empire Patronage
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Peasant Wisdom: An Analysis of Brancusi's Rumanian Heritage
by Zachary Ross
 
Ghiberti and Manzù: Alternative Means of "Piercing" the Flat
by Raphy Sarkissian
 
Reduced to Rubble: James Novelli's Victory
by Josephine Murphy
 
Spartan Desires: Eugenics and the Sculptural Program of the 1915 Panama-Pacific International Exposition
by Brian Edward Hack
 
Robert Smithson: Language to be Looked At and/or Things to be Read, Drawings from 1962-63
by Robin Clark
 
The New Greek Galleries at the Metropolitan Museum of Art
by Dana Pilson
 
Book Review: American Sculpture in the Metropolitan Museum of Art: Volume 1. A Catalogue of Works By Artists Born before 1865
by Caterina Pierre
 
Convergences of Architecture and Sculpture: The Consequences of Borrowing
by Betti-Sue Hertz
 
John Crawford's Queens College Marker: The Abstraction of Ideas and the Idea of the Abstract Monument
by Herbert R.Hartel, Jr.
 
Notes on a Neglected American Renaissance Monument - The Hall of Fame for Great Americans
by Elena Kemelman
 
Editor's Note
 
by Raphy Sarkissian
 
 

Raphy Sarkissian: Bio

Raphy Sarkissian is an artist who is currently pursuing his Ph.D. in art history at The Graduate Center. Following his M.A. in Studio Arts at New York University, he exhibited /copies/ of Sherrie Levine's monochromes of Yves Klein, which he titled through excerpts from the essay "Bachelors" of Professor Rosalind Krauss. During summer 2000 he was a guest professor at State University of New York at New Paltz. He is thankful to Professor Laurie Schneider Adams for her close reading of, and numerous suggestions for, earlier drafts of this essay.

He can be reached via email at rsarkissi@aol.com.

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