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Working the System: Hélène Bertaux and Second Empire Patronage

Meta Vaux Warrick Fuller and Pan-Africanist Feminism in Ethiopia Awakening
by Stacey Williams
 
Working the System: Hélène Bertaux and Second Empire Patronage
by Anastasia Easterday
 
Peasant Wisdom: An Analysis of Brancusi's Rumanian Heritage
by Zachary Ross
 
Ghiberti and Manzù: Alternative Means of "Piercing" the Flat
by Raphy Sarkissian
 
Reduced to Rubble: James Novelli's Victory
by Josephine Murphy
 
Spartan Desires: Eugenics and the Sculptural Program of the 1915 Panama-Pacific International Exposition
by Brian Edward Hack
 
Robert Smithson: Language to be Looked At and/or Things to be Read, Drawings from 1962-63
by Robin Clark
 
The New Greek Galleries at the Metropolitan Museum of Art
by Dana Pilson
 
Book Review: American Sculpture in the Metropolitan Museum of Art: Volume 1. A Catalogue of Works By Artists Born before 1865
by Caterina Pierre
 
Convergences of Architecture and Sculpture: The Consequences of Borrowing
by Betti-Sue Hertz
 
John Crawford's Queens College Marker: The Abstraction of Ideas and the Idea of the Abstract Monument
by Herbert R.Hartel, Jr.
 
Notes on a Neglected American Renaissance Monument - The Hall of Fame for Great Americans
by Elena Kemelman
 
Editor's Note
 
by Anastasia Easterday
 
 
 

Anastasia Easterday: Bio

Anastasia Easterday received her Ph.D. degree from UCLA, and is teaching at Southwest Texas State, San Marcos. Her current research stems from her dissertation work on 19th-century French Women Sculptors, and includes the article "Labeur, Honneur, Douleur: Sculptors Julie Charpentier, Félicie de Fauveau, and Marie d'Orléans," from the Woman's Art Journal (Fall 1997/Winter 1998). She has also more recently written reviews on contemporary women sculptors Jill Bedgood and Virginia Fleck for Women and Their Work Gallery in Austin, Texas.

She can be reaced via email at svejk@mac.com

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